Dois Um


Sobre a Dois Um Bónus: nota dos editores
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Propriedade, digamos, sentimental
Na Atalaya (excerto)
Prefácio a Lyrical Ballads (excerto)
Aos estudantes de Teoria
Selva Oscura
Escrever por gestos
Moraesu St.
Echoes of a Distant Time
Re-Visions
A Woman I Once Knew
Nags Head
Lima de Freitas
Ver / Viver
Monumentos e Anti-Monumentos
Beyond Solid Ground
Nôs Txon
Livro da Patrícia
No outro passeio ao lado da esplanada
I Would Run This Way Forever
Casa na árvore
In Plain Air
Farleigh
The Adventures of Guille and Belinda
A Thousand Leaves
1 pm: Mason’s Yard
Rua Fonte do Mundo
Não Pai e Mother
Drift
Ma Vie Va Changer
Fernweh
Sea Coal
Fluvial
The River: Winter
Ginjal
A Voz do Corpo Mudo
Folk
The Dew of Little Things
The Complete Essays 1973-1991
Casa das Sete Senhoras
Pictures From Home
Around The House

 

Bónus

“Photographers must also withstand, with the help of their families and friends, the psychic battering that comes from what they see. ... When Robert Frank put down his camera after photographing The Americans he could not so readily escape the sadness of the world he recorded as could we when we closed the book. ... I have to admit that there is another reason that I like photographers—they don’t tempt me to envy. The profession is short on dignity: Nearly everyone has fallen down, been the target of condescension (the stereotypical image of a photographer being that of a mildly contemptible, self-indugent dilletante), been harassed by security guards, and dropped expensive equipment. Almost all photographers have incurred large expenses in the pursuit of tiny audiences, finding that the wonder they’d hoped to share is something few want to receive.”

— Robert Adams


Esta folha publica textos sobre amigos e conhecidos, inéditos, dispersos e inacessíveis. Amigos e dispersos, em sentido amplo. Bónus é um arquivo de gestos e não um projecto de crítica. 


H. & D.